How to Create a Minimal Deep Tech Track Like Michael Bibi
Alright, let’s cut to the chase. If you’re into deep tech and minimal vibes like Michael Bibi, you know it’s all about keeping things tight, groovy, and, most importantly, simple—but not boring. I’ve been in the game long enough to tell you that pulling off that balance is an art. In this video from Soda Music, we dive into the nuts and bolts of how to nail that minimal deep tech sound, with all the subtle tricks that make Michael Bibi’s tracks work so well.
The Groove is Everything
First thing’s first—drums. If there’s one thing Bibi’s tracks have taught me, it’s that the groove is king. You don’t need a massive, overly complicated drum kit to make people move. It’s more about getting the basics right, and the video starts there, to build a solid foundation.
You’ll want a punchy, clean kick that sits in the mix without eating up too much space. And then come the hi-hats and percussion—this is where the magic happens. Michael Bibi’s tracks have this infectious shuffle, and the secret is in the timing and swing. You want the hats to feel loose but still locked into the groove. It’s subtle, but it’s what gets heads bobbing on the dance floor.
Basslines That Roll
Now, onto the bass. If you’re trying to capture that deep tech vibe, your bassline has to roll smoothly. Nothing too fancy or melodic, but it needs to drive the track forward. We use Base Camp to create a nice, deep bass that doesn’t step on the kick’s toes. The key here is simplicity—stick to basic waveforms like sine or square, and keep it clean.
You know how it goes—if your kick and bass aren’t playing nicely, your whole track falls apart. But when they’re working together, it feels effortless, and that’s exactly what we’re aiming for here.
Keep It Minimal, but Interesting
One thing I’ve learned over the years is that minimal doesn’t mean boring. It means being intentional with every sound you add. Michael Bibi’s tracks are full of little details—quirky sound effects, vocal chops, subtle synth stabs—that make his tracks feel alive, even though there’s not much going on.
It’s all about layering a few well-chosen sounds, like a delayed stab or some vinyl crackle, to add depth without clutter. And when it comes to reverb and delay, less is more. We want space, but not so much that it washes out the groove.
Transitions Without Distractions
Transitions are tricky in minimal deep tech. You want them to happen, but you don’t want them to scream for attention. It’s all about keeping things moving without disrupting the flow.
One tip from the tutorial that I wish I knew when I was starting out: don’t overdo it with the effects. A little goes a long way, especially when you’re working with minimal tracks. The goal is to maintain tension without filling up the space with unnecessary noise.
Final Thoughts
If you’re into that Michael Bibi sound—deep, minimal, groovy—this video is going to be right up your alley. It’s packed with practical, no-nonsense tips that’ll help you get that professional, club-ready sound without over-complicating things. I’ve been producing for years, and even now, it’s always a good reminder to focus on the groove and keep things simple.
Trust me, if you follow the steps in this tutorial, you’ll be well on your way to creating tracks that not only sound great in your studio but also get people moving in the club. So fire up your DAW, load up Drum Camp and Base Camp, and start making those minimal grooves happen!
